Latest The Opposite Of Design Fails: 50 Of The Most Brilliant Design Ideas That People Have Ever Shared In This Online Group (New Pics) | Gothic interior, Gothic house, Gothic victorian house

Posted on August 4, 2021 by

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Over the years, we at Bored Panda have released quite a few pieces on subpar design. And while these publications are incredibly fun to prepare and scroll through (just take a look at this one), we need to balance them out a little. After all, not every designer is an incompetent 3-year-old. Some of them are 4... light-years ahead of the competition.

Architecture

Aug 4, 2021 - Over the years, we at Bored Panda have released quite a few pieces on subpar design. And while these publications are incredibly fun to prepare and scroll through, we need to balance them out a little.

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Recapturing the Romance of Reading at Livraria Lello | A Pair of Boots and a Backpack

My trip to Neuschwanstein Castle in Bavaria - L' Essenziale

Viladimir Palace Russia...The Vladimir Palace was the last imperial palace to be constructed in Saint Petersburg, Russia. It was designed by a team of architects (Vasily Kenel, Aleksandr Rezanov, Andrei Huhn, Ieronim Kitner, Vladimir Shreter) for Alexander II's son, Grand Duke Vladimir Alexandrovich of Russia. Construction work lasted from 1867 to 1872. Like the Winter Palace and the Marble Palace, the Vladimir Palace fronts Palace Embankment; water frontage on the Neva was extremely prized by the Russian aristocracy. The façade, richly ornamented with stucco rustication, was patterned after Leon Battista Alberti's palazzi in Florence. The main porch is built of Bremen sandstone and adorned with griffins, coats-of-arms, and cast-iron lanterns. Other details are cast in portland cement. The palace and its outbuildings contain some 360 rooms, all decorated in disparate historic styles: Neo-Renaissance (reception room, parlor), Gothic Revival (dining room), Russian Revival (Oak Hall), Rococo (White Hall), Byzantine style (study), Louis XIV, various oriental styles, and so on. This interior ornamentation, further augmented by Maximilian Messmacher in 1880-1892, is considered a major monument to the 19th-century passion for historicism.